Carl Palazzolo: A Personal History of Italian Film by Betsy Sussler

BOMB 62 Winter 1998
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Carl Palazzolo, A Personal History of Italian Film #3, 1997, oil and pencil on linen, 58 x 58 inches.

The icons of our affair with Italian cinema, from La Dolce Vita to L’Avventura, become the painted matter, stilled and contemplative, of Palazzolo’s new body of work. His last took Sargent’s painting, The Daughters of Edward D. Boit, as their source. In those, pinafored young girls stare across an expanse of lush painted surfaces to remind us that implicit in the longing to be remembered is a request—that the one remembering commit an act of love. In these most recent paintings, Palazzolo recalls scenes, gestures, facial expressions, fragments of dialogue—the stuff of film—which become the material of paint. Trompe-l’oeil notes (inverted) and Polaroids (eyes), scatter across his surfaces, creating a painting strategy reminiscent of Jasper John’s. Painted into a gray ground, a tribute to the black and white stock of classic cinema, these strangely sobering images from films past, like a meeting with a paramour from 20 years ago, reflect our youth and our passing. By stopping the motion of film, these paintings contain what stays in the mind’s eye as memory. And what are they about? What happens when the mind’s eye stares back.

—Betsy Sussler

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Carl Palazzolo, A Personal History of Italian Film #9, 1997, acrylic on linen, 58 x 58 inches.

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Carl Palazzolo, A Personal History of Italian Film #6, 1997, 58 x 58 inches, oil on linen.

Pier Paolo Pasolini's Selected Poetry, Edited and Translated by Stephen Sartarelli by Jonas Mekas
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Njideka Akunyili Crosby by Erica Ando
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From Lagos to LA, a young painter’s images resonate with meaning, both personal and political.

The Feeling of the Everyday: Byron Kim’s “Sunday Paintings” by Wallace Ludel
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Sometimes the sky is enough.

Looking Back: BOMB Contributors on Art in 2018
Samantha Wall

Featuring selections by Matthew Jeffrey Abrams, Emmanuel Iduma, Kaitlyn A. Kramer, Ashley Stull Meyers, and more.

Originally published in

BOMB 62, Winter 1998

Featuring interviews with Elizabeth Murray, Kerry James Marshall, Anthony Hecht, Michael Winterbottom, Liza Bear, Wong Kar-Wai, Olu Dara, Martin Sherman, and Philip Kan Gotanda. 

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