My art originates from hallucinations only I can see. I translate the hallucinations and obsessional images that plague me into sculptures and paintings.
—
Yayoi Kusama
Antifascist Medicine Machine by Elektra KB
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- Bauhaus Journal 1926–1931 by John Gendall
- T.J. Demos’s Decolonizing Nature: Contemporary Art and the Politics of Ecology by Nich Hance McElroy
- Arcana: A Stephen Jonas Reader by Ammiel Alcalay
- Chavisa Woods’s 100 Times: A Memoir of Sexism by Mattilda Bernstein Sycamore
- Angela Schanelec’s I Was at Home, But… by Anthony Hawley
- Nyege Nyege Tapes by Simon Gabriel
Editor's Choice
- Mary Weatherford by Hamza Walker
- Nanfu Wang by Hao Wu
- Issue #148: Lee Quiñones by Luc Sante
- Venkatachalam Saravanan by Amit Dutta
- Tyshawn Sorey by Claire Chase
- Ben Whishaw and Édouard Louis
- Geovani Martins Issue #148 by Julia Sanches
- Prageeta Sharma and James Thomas Stevens
Interviews
- Portfolio by Alejandro Almanza Pereda
- Counterpoint and Apocrypha by Raphael Rubinstein
- Harlem Is Hijaz Is Havana Is Harar, Or: The Whole Point of the Black Arts Movement Is That They Were Moving by Momtaza Mehri
- From Harbart by Nabarun Bhattacharya
- Bosun by Paul Yoon
- Two Stories by Diane Williams
- From Scorpionic Sun by Mohammed Khaïr-Eddine
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- dunjaluče by Ian Dreiblatt
- An Hourglass Experiences Ego Death by Kyung Me & Harry Gould Harvey IV
- Living Matter by Claire Atherton
- Nearly Any Two Things Can Cohere by Asiya Wadud
First Proof
Antifascist Medicine Machine, 2019, vending machine, acrylic, beads, nuts, and bolts, 20 x 10 inches.
Elektra KB is a Colombian artist living and working in Brooklyn. Her work is included in Nobody Promised You Tomorrow: Art 50 Years After Stonewall at the Brooklyn Museum (2019).
Originally published in
BOMB 148,
Summer 2019
Featuring interviews with Mary Weatherford, Nanfu Wang, Lee Quiñones, Venkatachalam Saravanan, Tyshawn Sorey, Ben Whishaw, Édouard Louis, Geovani Martins, Prageeta Sharma, and James Thomas Stevens.
