Alice Aycock by Richard J. Goldstein

Alice Aycock looks back on her early influences and gives insight into her creative process.

Alice Aycock by Richard Goldstein from BOMB Magazine on Vimeo.

It wouldn’t be uncommon to hear a sculptor from the ’70s speak of “structure structuring,” but Alice Aycock’s soft command of those words, from a video interview of the time, cuts through the decades. Aycock blends formal structures with not just the mind, but memory, the body, and fiction, allowing her to infuse her work with the personal. Her desire to explore the self may be linked back to her teachers Robert Morris and Yvonne Rainer, and is apparent in the influence of Bruce Nauman and Louise Nevelson. But deeper still, the impetus of her imagination and curiosity leads back to her family and childhood home, her sense of space apparent in memories of her maternal family—Appalachian coal miners—bringing to mind the tight subterranean tunnels of her earliest work.

This video happened forty years later than the one I mention previously in which Aycock’s original thought of “structure structuring” still rings true. But with this piece, time’s added sense of memory structuring becomes apparent. We spoke on the heels of her two-part retrospective Some Stories are Worth Repeating, shown at the Grey Art Gallery, NYU and Parrish Art Museum, with plans well underway for her May 2014 Park Avenue installationPaper Chase.

Rock Paper Scissors

Alice Aycock. Rock, Paper, Scissors (India ‘07), 2010, watercolor and ink on paper 95 11/16 × 59 1/2”. All media courtesy of the artist.

Alice Aycock on the story behind her drawing Rock, Paper, Scissors.

Alice Aycock’s sculpture Paper Chase is forthcoming on Park Avenue in 2014, to see the design click here

Richard J. Goldstein is BOMB’s Archive Editor and a painter.

A Ghost Eye View of an American Myth: John Huston by Tina L'Hotsky
John Huston 001
Context Contingent: Ghislaine Leung Interviewed by Alan Ruiz
Ghislaine Leung1

The two artists discuss public space and the means of circulation in Leung’s recent works. 

Domesticating Waves in the Netherlands by Stefan Helmreich
Tg Sh 1

Two years back, in the midst of anthropological research about the science and culture of wave monitoring and modeling in the Netherlands, I joined in an event called Waterwolf 2016, a flood preparedness exercise staged in the small municipality of Marken, just twenty kilometers outside Amsterdam. I

Three Angles (or Sometimes You Catch a Crocodile): El Anatsui and Dee Briggs Interviewed by Jessica Lanay
El Anatsui1

The artists discuss a specially commissioned sculpture for the Carnegie International.