But the idea of transformation has always been something that I romanticize in a work. I’m cautious of it but I also need it to connect my thoughts with the process of making. That’s really important.
—
Nari Ward
A View of Vesuvius by Daniel Poppick
- Rest in Paradise, Jonas Mekas by Marianne Shaneen
- El Cine Quema: The Films of Raymundo Gleyzer by Will Noah
- Beatriz Colomina’s X-Ray Architecture by Ashley Simone
- Abbigail N. Rosewood’s If I Had Two Lives by Yasmin Roshanian
- Frederic Tuten’s My Young Life by Thomas Bolt
Editor's Choice
- Titus Kaphar by Jason Stanley
- Young Joon Kwak by Charles Long
- Kazuo Hara by Ken Jacobs
- Bill Jenkins by Joe Fyfe
- Ligia Lewis by Catherine Damman
- William Basinski by Lea Bertucci
- José Roberto Cea by Daniel Flores y Ascencio
- Barry Lopez by Taylor Larsen
Interviews
- Portfolio by Dawn Clements
- Hardening by Danielle Sosin
- A Throw of the Dice by Lucy Ives
- The Genuine Alacrity of Things by Evelyn Hampton
- Bernard: A Character Study by Peter Orner
- Settler/Unsettled by Oliver Baez Bendorf
- Three Poems by Timothy Donnelly
- from rose miniatures by Navid Sinaki
- Unreadable Comic by Tsukue Akimoto
First Proof
- A View of Vesuvius by Daniel Poppick
Journal
- End Page by Alison Kuo & Williamson Brasfield
End Page
Daniel Poppick is the author of the poetry collections Fear of Description (Penguin, forthcoming 2019) and The Police. He lives in Brooklyn, where he works as a copywriter and copublishes the Catenary Press with Rob Schlegel and Rawaan Alkhatib.
Related
I never made a decision to become a film editor—or, in any case, I didn’t decide upon it at a young age and follow a single career path.
Far away from any coastline. Where the wind strikes the water for the first time. Where waves start to grow. A young wave stretches its quivering back, reaching for the wind.
Originally published in
BOMB 147,
Spring 2019
Featuring interviews with Young Joon Kwak, Kazuo Hara, Bill Jenkins, Ligia Lewis, William Basinski, Titus Kaphar, José Roberto Cea, and Barry Lopez.
