Discover MFA Programs in Art and Writing
With Nigella Sativa, we arrive at midnight together, to the intimacy that can come from mass hysteria.
An experimental theater company takes on Edward Albee.
Previewing a public performance on the Bronx River.
On the eve of Signs of Empire, his current show at the New Museum, the British artist and filmmaker elaborates on how philosophy and the history of cinema have influenced his practice.
Photographs that make you look twice.
This piece consists entirely of first sentences from 268 short stories published in The New Yorker over the past 20 years, from 1997 to 2017.
Editing a collection of artist Carolee Schneemann’s writings.
A print project glitched by digital media.
A historical survey of figurative sculpture.
The artists discuss painting landscapes, from transient rays of moonlight to the immensity of environmental changes.
The writer on surrendering, working through her avoidance, and using her body as an anchor.
I should say a few things / Before I begin. Hell is easy, / We brought us here / And not for the first time.
Layering histories and identity.
The covert operative with a complex psyche.
Asking the question, “Why are we like this?”
The writers on their latest collaboration, Brothers of the Gun: A Memoir of the Syrian War.
An exhibition catalogue for Ellen Rothenberg’s elsetime.
Jimmy, it’s your girl. The one at the desk whom you pay a living wage. This is what could be known as a wake-up call if we were the sort of people who relied upon others to remind us of our tasks.
Reza Abdoh, the first large-scale retrospective of the late Iranian-American theater director’s work, is on view through September 3 at MoMA PS1. The comprehensive exhibition was co-organized by Bidoun’s Negar Azimi, Tiffany Malakooti, and Babak Radboy alongside MoMA PS1 director Klaus Biesenbach.
A painter opens his studio.