New York Live Arts presents

Marjani Forte
Nov 15-19


Articles

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Gloss by Leah Dworkin
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I say something about the time and he replies, “I cannot sleep in this lifeless room, I can’t, I can’t. I won’t. You can’t make me.”

Poetry and the Photo: Alex Webb and Rebecca Norris Webb’s Slant Rhymes by Michael Juliani
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Chroniclers of restless wanderlust. 

Hidden Histories: Mary Kelly: The Practical Past by Jessica Holmes
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From the laundry room to the streets.  

Three Poems by Cynthia Cruz
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In the letter never sent, / the one constructed / entirely from photographs, / Polaroids of moments, or / elements I have been / attempting to suppress.

Make Some Noise: Yves Tumor’s Experiencing the Deposit of Faith by Domenick Ammirati
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A daydream by a night owl.

Cellular Portals: A Conversation with Ursula Andkjær Olsen by Morten Høi Jensen
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The Danish poet on corporeal poetics, pregnancy, and the influence of classical music.

Dalya’s Other Country: Julia Meltzer Interviewed by Alaa Hassan
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A story of immigration and integration.

Ghosts of History: An Interview with Jesmyn Ward by Louis Elliott
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Congratulations to Ward on winning the 2017 National Book Award for Sing, Unburied, Sing.

Studio Visit: Nina Chanel Abney by Osman Can Yerebakan
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“Everything is equally treated.” 

The Language of Duress: Speech/Acts at the Institute for Contemporary Art, Philadelphia by Amber Rose Johnson
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Experimental black poetry and visual art.

Sacred Folly: on Romain Gary’s The Kites and Promise at Dawn by J.W. McCormack
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A rediscovered novel and memoir depict a character we are lucky to have on the page. In life he would mortify us.

From Absence to the Living Body: Radical Women: Latin American Art, 1960–1985 by Ellie Robins
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Recovering global feminism. 

Uplift, Clothing Optional: An Interview with Novelist D. Foy by J.T. Price
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“To credibly present ecstasy, pure ecstasy, is incredibly difficult. Once upon a time this wasn’t the case. This is what capitalism has done to us all—rendered earnestness—a thing of suspicion and contempt.”

Greed, Italian Style: on Nicola Lagioia’s Ferocity by Kristen Martin
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Corruption, capitalism, and death in Puglia.

Watching Caribbean Cinema by Monica Uszerowicz
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Islands of stories.

Conversation Smudging: Sophie Seita on Translating Uljana Wolf by Zoe Brezsny
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“The book can draw in different audiences without catering to them. There’s a kind of rigorous hospitality, an aperture for dialogue.”

Kinshasa Sound: An Interview with Félicité’s Alain Gomis by Joseph Pomp
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“A film is always an attempt, nothing more, and that allows for a sort of dialogue.”

Intimate Variations: Other Romances at Rachel Uffner Gallery by Katherine Brewer Ball
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Extending the possibilities of relation.

Inhuman Sound: An Interview with Matmos by Britton Powell
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“Experience is what you get when you don’t get what you want.”

Productive Creativity: On Janina Wellmann’s The Form of Becoming: Embryology and the Epistemology of Rhythm, 1760–1830 by Catherine Despont
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Exploring the lost connection between aesthetics and science.

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