On documentary poetics and the interconnectedness of crises.
Considering contemporary ceramics.
The writer on finding the form for his latest book and the appeal of the wandering psyche.
Using film and embroidery to tell new stories.
On the individuality of grief, demystifying the creative process, and the right time to tell a story.
I am a woman who wakes up hungry. Tom touched only coffee till noon. You do what you’re capable of at some point, so Tom and I left each other.
“Choose a place where you won’t do harm - yes, choose a place where you won’t do very much harm, and stand in it for all you are worth, facing the sunshine.”
― E.M. Forster, A Room with a View
BOMB’s ongoing list of online tools, workshops, and livestreams to keep you company and engaged in the time of COVID-19.
The dance artist and choreographer discusses her praxis of fellowship and pleasure.
Merging image and object.
The writer on when the short story becomes a novel, writing about the gig economy, and claiming new meanings for words.
A list of vital resources for artists, writers, musicians, and performers.
Since the ’70s, the filmmaker, video artist, and pioneer of “media dance” has recorded exceptional bodies in motion—dancers, drag queens, and punk musicians.
On writing a memoir about living in Provincetown during the AIDS crisis.
Documenting a cross-cultural politics and aesthetics.
The post-punk-turned-food-critic on New York City’s varied cuisine.
At the heart of Leave to Remain is the two authors, who, like Janus, share two faces and a mind that begins as two but comes to function as one,.