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Textures of Personhood: Lisa Robertson Interviewed by Allison Grimaldi-Donahue
The Baudelaire Fractal1

The writer on her new novel, why style is political, and the kinds of subjectivity we experience.

Artists As Mapmakers: Lena Henke Interviewed by Owen Duffy
Lena Henke1

Sculpture that connects architecture and the body.

Farthest South by Ethan Rutherford
Farthest South

A post-apocalyptic story about a sea captain who parents alongside a penguin at the arctic center.

Announcing BOMB’s Managing Editor: Benjamin Samuel
Benjamin Samuel Small
Local Geographies: Jessica Vaughn Interviewed by Charlotte Ickes
Jessica Vaughn1

Installations that highlight cubicles and institutions.

Outstanding, Girl, You Knock Me Out: Ayana Evans and Tsedaye Makonnen Interviewed by Jessica Lanay
1  Nothing Lasts Forever

Two artists manifest, claim, and demand space in a society that operates around violence against black women’s bodies while pretending that they don’t exist.

One Poem by Suzanne Richardson
H3

I cannot feel my cat’s fur / with my left hand. / Of course / I also cannot feel / my children. with my left / hand. Their throats. I cannot / feel my own body, the soft / candle wax of it. I cannot go where / I used to.

Uncanny Landscapes: Alice Miceli Interviewed by Louis Bury
Alice Miceli1

Photographing radiation at Chernobyl.

Issue #150: Cathy Park Hong by Ken Chen
Minor Feelings Mockup

The poet’s new collection of essays, Minor Feelings, threads intense friendships, “bad” English, and standup comedy into a meditation on the Asian-American experience.

Desire for a Re-enchanted World by J.T. Price
High Weirdness

On Erik Davis’s High Weirdness: Drugs, Esoterica, and Visionary Experience in the Seventies

An Evolution of Textures: Mary Halvorson and John Dieterich’s A Tangle of Stars Reviewed by Jasmine Dreame Wagner
0017077188 10

On preserving improvisational force and the fluid collaboration between two musicians.

Mapping a Disappearance (or We Are the Goddamn Choir, and We’re Singing): Alan Michelson Interviewed by Jessica Lanay
Alan Michelson1

A video work documents wolves and the Wolf Clan.

Three Poems by Ariel Yelen
Dbowman Mine

My second job was waiting in a window / behind the window of the job I was on // the clock for. My third job was scheduled / for that evening, but not yet // confirmed. My fourth freelance job wasn’t active / per se, but I was actively // pursuing clients.

Dialing Back: Lina Tullgren Interviewed by Gillian Walsh
Lina T 2

On resisting the limitations of genre and shifting toward a more spatial approach to composition.

Looking Back: BOMB on the Past Decade in Art
Kanishka Raja Final

With contributions from Naeem Mohaiemen, Martha Rosler, Devin Kenny, Swoon, and more.

Looking Back: BOMB on the Past Decade in Literature
51P4 1

With contributions from Ottessa Moshfegh, Carl Phillips, Lidia Yuknavitch, Kali Fajardo-Anstine, and more.

Looking Back: BOMB on the Past Decade in Film
Toni Erdmann

With contributions from Laurie Simmons, Amy Jenkins, Mary Helena Clark, and more.

Looking Back: BOMB on the Past Decade in Music
248140503 02292016 Vijay Iyer Bomb 02

With contributions from Okkyung Lee, Alan Licht, Aakash Mittal, and more.

Looking Back: BOMB on the Past Decade in Performance
204715695 12012015 Blackwell Becca 01 Bomb 134

With contributions from Becca Blackwell, Moriah Evans, Kaneza Schaal, and more.

Studio Visit: Luísa Jacinto by Lauren Moya Ford
Luisa Jacinto1

Painting on metallic surfaces.

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