The writer on her new novel, why style is political, and the kinds of subjectivity we experience.
Sculpture that connects architecture and the body.
A post-apocalyptic story about a sea captain who parents alongside a penguin at the arctic center.
Installations that highlight cubicles and institutions.
Two artists manifest, claim, and demand space in a society that operates around violence against black women’s bodies while pretending that they don’t exist.
I cannot feel my cat’s fur / with my left hand. / Of course / I also cannot feel / my children. with my left / hand. Their throats. I cannot / feel my own body, the soft / candle wax of it. I cannot go where / I used to.
Photographing radiation at Chernobyl.
The poet’s new collection of essays, Minor Feelings, threads intense friendships, “bad” English, and standup comedy into a meditation on the Asian-American experience.
On Erik Davis’s High Weirdness: Drugs, Esoterica, and Visionary Experience in the Seventies
On preserving improvisational force and the fluid collaboration between two musicians.
A video work documents wolves and the Wolf Clan.
My second job was waiting in a window / behind the window of the job I was on // the clock for. My third job was scheduled / for that evening, but not yet // confirmed. My fourth freelance job wasn’t active / per se, but I was actively // pursuing clients.
On resisting the limitations of genre and shifting toward a more spatial approach to composition.
With contributions from Naeem Mohaiemen, Martha Rosler, Devin Kenny, Swoon, and more.
With contributions from Ottessa Moshfegh, Carl Phillips, Lidia Yuknavitch, Kali Fajardo-Anstine, and more.
With contributions from Laurie Simmons, Amy Jenkins, Mary Helena Clark, and more.
With contributions from Okkyung Lee, Alan Licht, Aakash Mittal, and more.
With contributions from Becca Blackwell, Moriah Evans, Kaneza Schaal, and more.