A novella of warranted paranoia.
What role does technology play in helping or hindering our wellbeing?
The US premiere of Only the Sound Remains lands at the White Light Festival.
Sixty years of writing about language.
The writer on Swedish Nebraska, the lyric essay, and brevity as a superpower.
How do you discuss misogyny in a society saturated with it?
Rap videos, cooking shows, and housewares catalogues become a source for reparative thinking.
Identities, self-portraits, and fiction.
The choreographer presents a cascading index of form.
Thinking the politics of race in contemporary dance.
All monuments commemorate the same / falsehood The gilt is genuine and we feel it right / at the surface of our discontent / Anger like so many lustrous mounts softens / in the rain And stallions and generals must periodically be / re-gilded recommitted to as if / as an abiding law of man / Though if we are honest it is the law that fails us / along with what we can abide
Stories that magnify what it means to be black in America through a satirical, uncanny lens.
Reimagining the human body.
An embarrassing incident at the Kremlin (from 2015? was it 2016?): in which women invited to an International Woman’s Day photo with Mr. Vladimir Putin arrive in high heels, much to the fear of Mr. Putin’s staff who are there to witness several tall women towering over the Russian Federation president.
The writer discusses what Laika, the first Soviet space dog, can teach us about companionship and loneliness.
Twenty artists spanning three generations depict rape and its effects.
The artist talks about investigating the gender spectrum and the female gaze.
The performers recount their experiences with Henning Christiansen and his work.