Painting as a body; canvas as a skin.
Celebrating the better hell of her own making.
A list of resources, petitions, organizations, and mutual aid funds that support Asian American and Pacific Islander communities.
A story collection about parenting in a post-apocalyptic world.
Texts, installations, and performances that address the global operations of race.
Join us as we celebrate Lilly Dancyger’s memoir, Negative Space, Melissa Febos’ essay collection, Girlhood, and Forsyth Harmon’s novel, Justine.
Our summer issue includes interviews with Amoako Boafo, Jibz Cameron, Brenda Goodman, Odili Donald Odita, Jenny Offill, Nicolas Party, Rowan Ricardo Phillips, and Craig Taborn; poetry by Safia Elhillo and Nathaniel Mackey; prose by Lydia Davis, Marie-Helene Bertino, and Saidiya Hartman; and more.
Our fall issue features interview with Erica Baum, Billy-Ray Belcourt, Trenton Doyle Hancock, Carolyn Lazard, Nathalie Léger, Martine Syms, and Rufus Wainwright; fiction by Kevin Brockmeier and C Pam Zhang; poetry by Yi Sang and Vijay Seshadri; nonfiction by Lorraine O’Grady and Paula Mónaco Felipe; a special project by Garrett Bradley; and more.
Our winter issue includes interviews with Tashi Dorji, Danielle Evans, Walton Ford, Guadalupe Maravilla, Mary Lovelace O’Neal, the Ross Brothers, and Aaron Turner; DIY cookbooklets from Dindga McCannon; poetry by Rae Armantrout, Imani Elizabeth Jackson, and Allison Parrish; prose by Langston Cotman, GennaRose Nethercott, and Brontez Purnell; a comic by Michael DeForge; protest drawings by Steve Mumford; and more.
Our spring issue features interviews with Tiffiney Davis, Alex Dimitrov, Melissa Febos, Valerie June, Tarik Kiswanson, Ajay Kurian, and Karyn Olivier; fiction by Jonathan Lee, Ananda Naima González, and Tara Ison; poetry by Jo Stewart, Farid Matuk, and Joyelle McSweeney; a comic by Somnath Bhatt; an essay by Wendy S. Walters; an archival interview between Barbara Kruger and Richard Prince; and more.
From the BOMB Archives
A selection of some of our favorites from the archives.
Summoning the spirits.
In 1976 I had been making photographs for a couple of years. I had certainly been looking at a lot more photographs than I had actually made.
But the idea of transformation has always been something that I romanticize in a work. I’m cautious of it but I also need it to connect my thoughts with the process of making. That’s really important.