Violence is the Texture of Experience: Benjamin Krusling Interviewed by Vijay Masharani
The poet on his new collection, institutions of power, purity, and the possibility of total obliteration.
Open to Possibility: Jesse Wine Interviewed by Cassie Packard
The process of making, breaking, and remaking ceramic sculptures.
On addressing systemic issues and creating access in the classical music industry.
In this two-part workshop, McCannon will lead participants through her collage process.
Photographs that capture the restlessness of place.
An overdue publication dedicated to the practice of the interdisciplinary artist, educator, and founder of El Museo del Barrio.
BOMB 151,
Spring 2020
This issue features interviews with Chitra Ganesh, Tania Cypriano, Charles Atlas, Netta Yerushalmy, Vi Khi Nao, Amani Al-Thuwaini, Andrea Hasler, and Bruce Boone, as well as fiction from Verónica Gerber Bicecci, Justin Taylor, Rebecca Dinerstein Knight, and Lee Relvas, and poetry from Shuzo Takiguchi and Bruce Boone.
BOMB 152,
Summer 2020
Our summer issue includes interviews with Amoako Boafo, Nicolas Party, Brenda Goodman, Odili Donald Odita, Jenny Offill, Craig Taborn, Rowan Ricardo Phillips, and Jibz Cameron; poetry by Safia Elhillo and Nathaniel Mackey; prose by Lydia Davis, Marie-Helene Bertino, and Saidiya Hartman; and more.
BOMB 153,
Fall 2020
Featuring interviews with Martine Syms, Erica Baum, Billy-Ray Belcourt, Carolyn Lazard, Trenton Doyle Hancock, Nathalie Léger, and Rufus Wainwright.
BOMB 154,
Winter 2021
Our winter issue includes interviews with Tashi Dorji, Danielle Evans, Walton Ford, Guadalupe Maravilla, Mary Lovelace O’Neal, the Ross Brothers, and Aaron Turner; DIY cookbooklets from Dindga McCannon; poetry by Rae Armantrout, Imani Elizabeth Jackson, and Allison Parrish; prose by Langston Cotman, GennaRose Nethercott, and Brontez Purnell; a comic by Michael DeForge; protest drawings by Steve Mumford; and more.
From the BOMB Archives
A selection of some of our favorites from the archives.
This interview is featured, along with thirty-four others, in our anthology BOMB: The Author Interviews.
The artist’s works amend the white supremacist mythology contained in American monuments and historical paintings: “Democracy requires a clear understanding of the past, including its mistakes.”
I planned to write a book about / the color blue. Now I’m suddenly surrounded / by green, green gagging me / pleasurably, green holding onto my hips / from behind, digging into / the cleft, the cleft // that can be made.
Let me tell you first about what it was like being a Black woman poet in the ‘60s, from jump. It meant being invisible. It meant being really invisible. It meant being doubly invisible as a Black feminist woman and it meant being triply indivisible as a Black lesbian and feminist.
—
Audre Lorde