In the Eye of the Beholder: Tori Sampson Interviewed by Aleshea Harris

The emerging playwright takes on beauty standards and societal expectations.

Context Contingent: Ghislaine Leung Interviewed by Alan Ruiz

The two artists discuss public space and the means of circulation in Leung’s recent works. 

The spirit and the damage done: On Bruce Nauman’s 100 Live and Die by Paul Chan

The art of dehumanization. 

One Piece: Kiki Smith by Nina Subin
Nina Subin

The artist talks about portraits stopping time.

Language as Hex: Gracie Leavitt Interviewed by Lindsay Turner
Livingrycover

The poet on her new collection and what it means to mess with, fuss with, break, and refresh language.

From What You Have Heard Is True by Carolyn Forché
What You Have Heard Is True By Carolyn Forche

A Memoir of Witness and Resistance. 

Bomb 2019 Gala Evite

Join us for our 38th Anniversary Gala and Art Auction

BOMB 143, Spring 2018

Featuring interviews with LaToya Ruby Frazier and Fred Moten, Sergio De La Pava, Nina Hoss, Barbara Hammer, Joseph Keckler, Lydia Ourahmane, Kaneza Schaal, Hank Willis Thomas and Kambui Olujimi, and Summer Wheat.

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Bomb #143
BOMB 144, Summer 2018

Featuring interviews with Chris Martin, Cy Gavin, Tauba Auerbach, Sam Hillmer, Amy Jenkins, Florian Meisenberg, John Akomfrah, Simone Forti, Ottessa Moshfegh, and Anna Moschovakis

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144 Cover
BOMB 145, Fall 2018

In the process of putting together each new issue of BOMB, we often come across distinct resonances between interviews—shared themes, creative preoccupations, and even specific phrases crop up time and again within otherwise disparate features. In these pages, artists discuss their expansive notions on collaboration. Their practices tend to split, reapportion, or redefine authorship, privileging process over individual intention and encouraging unique partnerships with spectators, local communities, film subjects, and one another. These willful acts of reaching out and beyond are as vital as ever, and worth emphasizing here.

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Bomb 145 Nobarcode Small
BOMB 146, Winter 2019

Our winter issue is dedicated to this planet’s greatest resource: water. With contributions from Saskatchewan and the American Southwest to Iceland and Northern Europe, an array of voices are brought together here—artists and writers investigating water as site, sustenance, and symbol, along with those expressing alarm and calling for intervention.


Featuring interviews with Lauren Bon, Oscar Tuazon, Jaque Fragua, Brad Kahlhamer, Ruth Cuthand, Janaina Tschäpe, Jessica Grindstaff, Tomoko Sauvage, Cecilia Vicuña, and Alicia Kopf, as well as writing by Laura van den Berg, Natalie Diaz, Stefan Helmreich, and more.

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146 Cover Nobarcode
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Binyavanga Wainaina by Rob Spillman Francisco Suniaga and Federico Vegas Six Questions for Cate Marvin by Poets.org Katrín Sigurdardóttir by Eva Heisler Utopian Projections by Ryan Sheldon The Wilde Boys by B.C. Edwards Raúl de Nieves and Colin Self by Natasha Stagg Zachary Treitz by Hannah Holden Ten Walks/Two Talks: From Hiroshige to Harlem by Susie DeFord Richard Powers by Sven Birkerts Adam Fuss by Ross Bleckner Edward Clug on Radio and Juliet by Philip Szporer Jeff Weiss by Allen Frame Keith Antar Mason by Coco Fusco Brenda Blethyn by Michael Collins Damaged Goods: Hong Sang-soo by Craig Hubert Salvador Plascencia by Max Benavidez Eric Kraft by Andrei Codrescu Rilla Askew by Betsy Sussler Isaac Julien by Martina Kudláček

Remembering Carolee Schneemann (1939–2019)

Honoring her memory, BOMB looks back on the life and work of the multi-media artist.

Carolee Schneemann by Coleen Fitzgibbon
Carolee Schneemann 01 Bomb 132

Breaking the Frame, a film by Marielle Nitoslawska about Schneemann’s unique legacy, serves as a departure point for an exchange about the “beauty paradox,” historical and contemporary patriarchies, and the artist’s ongoing subversion of gender codes.

Parts and Tools by Carolee Schneemann
Schneemann Rescan

Wooden box filled with poured glass and various objects, Parts and Tools by Carolee Schneemann, accompanied with a written reflection by the artist.

Carolee Schneemann: Like a Cat on a Fish by Darryl Turner
Schneemann Up to and Including

Thinking is not an incorporeal process. The mind is a muscle.

Chance and Agency: Carolee Schneemann’s Use of Fire by Olivia Gauthier
Schneemann3

“The meaning of art is destruction.”