The German filmmaker discusses her reductive approach.
Portraits and hauntings are inseparable bedfellows in film history.
A 1950s queer cinema staple has been restored.
Featuring selections by Jaime Manrique, David Grubbs, Molly Surno, Lynn Melnick, Lucio Pozzi, and more.
It takes a rare kind of playwright to evoke the head-spinning contradictions in our national political psyches.
“I asked my students for the image of the essence of tenderness. One girl brought in a small, silver plate with a bunch of grapes neatly laid out on it. When I noticed she had stripped the skin off the grapes, I got goose bumps.”
“She’ll be like an apple tree among all the ash-colored buildings of that granite city.”
The master filmmakers on blending the political and the personal in their new film.
Brenda Wineapple, author of the new Emily Dickinson biography White Heat, recently spoke on “nudging narrative,” the massive effort needed to create a “biological narrative” out of the messy stuff of life.
Christopher Shinn and I spoke over the phone and decided we’d have our conversation at New Dramatists, where we’re both member playwrights. Because it’s summer, the building is relatively quiet and relatively air-conditioned.