The collaborators on riots, punk, Richter, and the new book Now that the audience is assembled.
Jarvis Cocker, of Pulp, once told me: “During my accident, I remember hanging from the window ledge and thinking, this is actually a dramatic situation, but it doesn’t seem dramatic.”
In memory of poet and contributor John Giorno we revisit this poignant conversation with Marcus Boon.
“People think that when a poem works, it’s because of the lines of a great poet—Baudelaire, T. S. Eliot, Whitman, or whoever—but it’s not so. The lines, when they magically work, are the reflection of your mind. It’s almost like the poet is making a mirror that nobody can see.” John Giorno
“Decoration in this folk sense is a kind of culturalized representation of nature. It’s closest to the raw elements that reflect a very specific geographical location in historical time. The importance of it for me is that I can have these circumstances of time and place in crystalline form, and I can feel those realities, feel the history that they inevitably speak about in this natural cultural sense.”
He is the consummate media junkie, overflowing with pop references, a veritable lexicon of trivia and kitsch.