Faux reunion shows, B-sides, new-age garage music, and packing albums to the brim.
Neil Michael Hagerty’s creative output over the past thirty years is a tangled and winding road, to say the least. If you were to divide it into three acts, you could start with his membership in the Washington DC scuzz-rock outfit Pussy Galore, famed for their own version of Exile on Main Street, in which they threw the Stones double album into a musical blender and produced a “covers” record that is a true descent into the maelstrom. It wasn’t Neil’s idea, nor was it his band. Then there was the undeniable, meteoric rock n’ roll odyssey that is Royal Trux, Hagerty’s partnership with Jennifer Herrema. The flagship Drag City band, they later signed an infamous multi-million dollar deal with Virgin in the wake of a post-Nirvana indie feeding frenzy. The Trux produced some of the most confrontational, beautiful, hot-shit rock n’ roll records ever committed to tape. Each record—whether the patterned chaos of Twin Infinitives, the roaming free-boogie of Cats and Dogs, or the “accessibility” of the post-major label Accelerator—demonstrated a complex and meticulous deconstruction of the American “rock” canon, if not the entire genre itself. And, against all odds, Royal Trux will return for at least one occasion this August in Los Angeles.
But, one must look to the future and live in the present. After the implosion of Royal Trux in 1999, Hagerty released the solo records Neil Michael Hagerty and Plays That Good Old Rock and Roll, two spiritually shaking albums in the mode of Link Wray’s Three Track Shack run. Breaking from the Trux mold, both albums cathartically diverge from the strange continuity Royal Trux had developed. They are something entirely new, and are all the more compelling for it. This paved the way for The Howling Hex, Hagerty’s main musical outfit for the past decade. In his own words, “Royal Trux is the long haul, and the Howling Hex is something that cannot be destroyed.” The Hex is just empirically there—records of harmolodic blitz were released at a lightning clip, with sporadic (and not-to-be-missed) live shows popping up across the US every year or so.
In the prolific decade since the inception of Howling Hex, Hagerty has also released full-length novels, comic books, narrated audio books, resurrected a recreation of “Royal Trux” with new band members, gone on extensive tours, produced records for Bill Callahan and Hebronix, and most recently, started other potent acts such as Dan’l Boone and the Hagerty-Toth Band.[ Read More ]