An invitation to disorder: poetry, insurrection, and concrete utopia.
On November 11, 2008, the French government stormed what they called an “anarcho-autonomist cell,” a group who had set up a store in the small village of Tarnac in central France. Accused of “criminal conspiracy to commit a terrorist act,” the members of this group were suspected of having sabotaged the catenaries of a high-speed train. Although most of those arrested were released fairly rapidly, Julien Coupat, the presumed leader of the cell, spent more than six months in jail without trial, under “preventative arrest.” What is particularly striking about this situation, and generally in line with the effects of increasingly liberticidal antiterrorist laws, is that part of the accusation included the presumption that Coupat belonged to the anonymous collective that had written The Coming Insurrection, a handbook on active exile from capitalism. The presumption of authorship as a political crime is perhaps something we thought ourselves safe from in our so-called Western democracies. Jean-Marie Gleize's book Tarnac (Kenning Editions, 2014) arose as a response to this situation, as an act of friendship, and as an experiment in what he calls another form of politics.[ Read More ]