“Everything goes, whatever. You know that word 'whatever'—whenever that started coming in, about twenty years ago? It's like whatever-core—that's where we're at now.”
As the editor and publisher of RE/Search, and a self-described amateur anthropologist, V. Vale has commanded volumes of interviews and articles about countercultural figures and the subcultures they spawned. In the thirty-some years since the first issue appeared in 1980—a slim journal that drew Julio Cortázar together with Non, Sun Ra, and The Slits—few things about RE/Search have changed. Still too catholic in its taste for discriminating punk palates and still not academic enough to be Semiotext(e), RE/Search continues to articulate a no-man’s-land between the “underground” and the institutions that undergrounds allegedly subvert. Despite inhabiting this space, these publications assume a distinct place with their irregular sizes and boldface logo emblazoned onto their exaggerated covers.
Much like the curious tone of his books, Vale is notably less cynical toward his countercultural peers than readers of, say, Vice or The Baffler might expect. His is an attitude that reflects a willingness to publish a book of interviews with tattooist Ed Hardy alongside a zine by McKenzie Wark and a book by Penny Rimbaud—with little trace of irony. His sincerity is not simply a pose but a mark of his deep involvement with the people he writes about.
That he’s sincere, however, makes him no less inscrutable. For one thing, Vale has a habit of deliberating over the delicate specificity of certain terms in unwieldy generalities—a style of expression that yields the most unpredictable of ideas. Although deciphering our conversation proved to be a difficult task, it may be the most straightforward path to an understanding of RE/Search and its place today.[ Read More ]