Shakespeare in Buenos Aires.
Argentinean director Matías Piñeiro has accrued an impressive cult following in the eight years since his first feature. His latest, La princesa de Francia (The Princess of France), was one of the most anticipated films at this summer’s Locarno International Film Festival, which also included new features by such arthouse lions as Pedro Costa and Lav Diaz in its program. The film, which was met with ecstatic reviews and will also play at the New York Film Festival on October 5 and 6, is the latest installment in the director’s ongoing filmic experimentations with the work of William Shakespeare.
While As You Like It and Twelfth Night provided the foundation for Piñeiro’s previous features, Rosalinda (2011) and Viola (2012) respectively, the main source text this time around is Shakespeare’s early comedy Love’s Labour’s Lost. Again the play is placed in the hands of a group of Buenos Aires bohemians, played by the director’s regular troupe of actors. Here they are preparing a radio adaptation, a playful wink at the fact that Piñeiro’s films eschew and subvert conventional adaptation as well as a metonymic reflection of the film’s infatuation with language.[ Read More ]