"It was meant to kink your head."
In Bingham Bryant and Kyle Molzan's directorial debut For the Plasma, Charlie (Annabelle LeMieux) joins her childhood friend Helen (Rosalie Lowe) in a remote house on the coast of Maine to help repair the surveillance cameras she uses as a fire lookout. Helen informs Charlie she's also been interpreting the CCTV images of the woods to accurately forecast global economic trends. Charlie tells her about the shit-eating bug featured in the Kobo Abe novel she's reading. Then things get weirder.
Skirting genre conventions to develop its own allusive (and elusive) tone, For the Plasma has the kind of highly specific, confident direction that inspires viewers to sit back and let their brains be scrambled. As I looked at a digital projection of Bryant and Molzan's 16 mm footage of CCTV images of a forest in Maine, I found myself acutely aware of the act of watching and by extension of myself, inside and outside the film. That rare heady experience encouraged me to invite these young New York directors to sit down and talk about the tension between narrative and interpretation, their film's offbeat soundtrack, and Korean filmmaker Hong Sang Soo's art of simultaneity.[ Read More ]