God, nature, and Memphis
Tim Sutton’s Memphis, like his earlier feature, Pavilion, is a gorgeously made impressionistic drama. An observational film that emphasizes mood, place, and atmosphere over plot or character, Memphis presents the quotidian aspects of its characters’ lives with visual flair. Sutton creates real emotion from still images, such as main character Willis (played by musician Willis Earl Beal), lying asleep with his arm over his face, or Lopaka (Lopaka Thomas), sitting in a car staring at an ignited lighter. Lengthy tracking shots—down the aisle of a church, or through the streets of the titular city—are also freighted with meaning.
Sutton practically eavesdrops on his characters as scenes create a loose narrative, eschewing any overtly climactic moments. The writer/director’s approach is firmly rooted in documentary, and he envelops viewers in dreamy landscapes that are transfixing. Sutton makes watching glass fall from a broken car window a truly hypnotic experience.[ Read More ]