Black memes, black bodies.
How do artists, black artists in particular, respond creatively and critically to the viral images of black death in the media without falling prey to sensationalism? Or, simply put: How do artists take inspiration from such abject imagery without coming off as trite?
Presently, there's an ongoing trend among artists to not only take the Black Lives Matter movement as subject matter, but also to repurpose media footage of black suffering in the hopes of gleaning new meaning through their own permutations. Carrie Mae Weems's Grace Notes: Reflections for Now (2016), Arthur Jafa's Love is the Message, the Message is Death (2016)—currently showing at Gavin Brown Enterprise in Harlem—and even Julie Mehretu's Conjured Parts (Eye), Ferguson (2016) are all cogent examples of artists culling images from the media and recasting or reinterpreting them to create spaces of introspection and empowerment.[ Read More ]