"In a failed system new systems have space to grow."
Graduates of the Center for Curatorial Studies at Bard College and director Paul O’Neill speak with artist Nina Canell on the occasion of her recent international exhibitions.
For Nina Canell, sculpture is a condition. Grounded as much in the chance encounter as in close study, her work places material forms and immaterial forces in proximity, whereby each shapes the other, allowing dynamic relations to emerge. The resulting circuits of things and substances, along with their attendant poetic and linguistic associations, prioritize the generative nature of the interruption, glitch, or noisy signal.
Some works, employing thermodynamics and the alchemical, transmute physical forms, like altering the color of a copper rod with heat or solidifying a bag of powdered concrete with percolated vapor. Others physicalize the intangible, locating communication, for example, in a subterranean cable. Evident in each of these approaches is an understanding of matter as process, whereby things remain in a state of flux vulnerable to both internal and external shifts.[ Read More ]