"It's not really subversion, it's catching something before it becomes what we're accustomed to."
The 2010 release of Attenberg, Athina Rachel Tsangari's second feature, marked the high point of the Greek Weird Wave set off the previous year by Yorgos Lanthimos's Dogtooth. With Tsangari producing Dogtooth and Lanthimos producing as well as acting in Attenberg, the pair became the wave's de facto poster children—even if, as is the case with most such categorizations, the filmmakers themselves vehemently opposed the idea of a movement. Lanthimos went on to direct increasingly large-scale films with relative regularity—his latest, The Lobster, features international stars like Colin Farrell, John C. Reilly, and Rachel Weisz—whereas Tsangari disappeared from the spotlight to some degree. Apart from her short film The Capsule, which made the festival rounds in 2012, she mostly collaborated on others' projects, for example co-producing Richard Linklater's Before Midnight, where she also appeared in a minor acting role.
It was a very welcome surprise when last year's Locarno Film Festival announced that Tsangari's Chevalier would screen in the main competition. Very little information was revealed prior to the premiere and the press kit only consisted of a rulebook for "a fantastic strategic game for two or more male players," containing cryptic guidelines like: "Excessive use of adverbs, -5 points. Stiff hard-on, +2 points. Overblinking, -40 points." As it transpired, these pertained to the game invented and played by Chevalier's protagonists, six wealthy men vacationing on a yacht out at sea. The boat functions as a huis clos within which the men engage in a series of absurd contests, exposing and exploiting each other's insecurities and vulnerabilities as they try to ascertain who amongst them is "The Best At Everything In General."[ Read More ]