The dreamlike state of drawing from nature.
I met artist Josh Dorman the second day of my freshman year of high school. His office, a nook in my new drawing classroom, was covered with detailed scientific drawings on stripes of off-white paper. As he led students through elementary drawing exercises, his precision and love of intricacy rendered a simple still life of a pepper into a deeply complex organism. Over the course of the next few years, admiring his drawings as I washed my paintbrushes, I began to better understand the science and further appreciate the imagination of his art. His drawings involve an attention to detail that is obsessive, methodical, and enthralling.
I exalted Dorman’s work from afar, frequently scrolling through the paintings on his website. In my drawing class my first year of college, I chose him for an artist project, in which I used his method to recreate one of his earlier works. This June, walking through the Ryan Lee gallery, I happened to recognize Tower of Babel (2008) from an exhibition of his works that was on view at Spence, my high school. In this painting, he demonstrates his ability to balance intricacies against grand scale, creating an imposing, mountainous form composed of machinery and architecture. When I noticed that the aged, yellow canvas was made of antique maps and piano scrolls, I knew the work had to be Dorman’s. I discovered he had a solo show at the Ryan Lee Gallery scheduled for September, right after I left for school. Luckily enough, Mr. Dorman, now officially Josh to me, welcomed me to his studio, tolerated my numerous questions, and gave me a private showing of his latest works.[ Read More ]