Photography versus filmmaking, twenty-somethings, and New Orleans.
As participants of the international arts biennial, Prospect.3: Notes for Now, headed by artistic director Franklin Sirmans, Sophie T. Lvoff and Garrett Bradley discuss the nature of editing as it differs between still images and moving images, as well as questions on what differentiates art from moviemaking and narrative from documentary forms.
Lvoff is a New Orleans-based artist and curator. Lvoff uses literature as a jumping off point for her photographic-based work. Most recently having investigated the 1961 Walker Percy novel The Moviegoer, Lvoff’s body of color photographs entitled Hell’s Bells/Sulfur/Honey attempts to describe the indescribable in New Orleans through the search for authenticity and light.
After receiving a BFA from NYU and an MFA from Tulane University, her work has been exhibited in museums and galleries nationally & internationally. Her first solo show was at Good Children Gallery in New Orleans in 2013. Her work will be on view at the Contemporary Art Center as part of Prospect.3: Notes for Now opening October 25, 2014. In 2014 through 2015, Lvoff will attend the Ecole du Magasin curatorial training program in Grenoble, France.
Garrett Bradley is a New Orleans based artist working in film and video. Bradley’s work is reflective of the environments in which they are made. Often combining scripted scenarios with an impressionistic formality, the work leans toward the functionality of social juxtaposition and historical reflection as it relates to human conflict and class in America.
Below Dreams, Bradley’s first feature length film, was named the Best Narrative Feature, and Best First Feature in the 2014 TriBeCa Film Festival IndieWire Critics Picks. Bradley was also named Best Director. In additio to the work shown at Prospect 3, Below Dreams will be screening as a part of Festival du Nouveau Cinema Montreal, CPH:MARKET and the New Orleans Film Festival, October 18 and 23 at the historic Joy and Prytania Theater.[ Read More ]