An outsider looking in.
For a number of years, Daniel McKewen taught a class at the Queensland University of Technology that functioned as a drop-in critique and discussion session for whoever was around at the time. We almost always ended up talking about film and the media, which for a number of years have formed the content of his video-based work. Last summer, sharing a workshop in the subtropics, we worked side-by-side in a steamy tin shed, doors thrown wide to catch whatever breeze there was. As he obsessively polished a bronze sculpture to mirror-finish, he offered his steady and reasoned advice to whoever came knocking. The advice was usually: Keep doing it. At the 2014 Sydney Biennale and the Australian Centre for Contemporary Art’s NEW14 exhibition McKewen showed video-based work focusing on popular media, cinema, and fan culture, but his newer pieces consist of sculpture and drawing. His work, culled from familiar sources, aims for the jolt of recognition before the quotidian is made strange. We spoke about harvesting laugh tracks, the politics of art funding, and his upcoming show at Milani Gallery in Brisbane, which deals with the global financial crisis.[ Read More ]