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art : portfolio

A Familienaufstellung Performance

by Chloe Piene
art : editor’s choice

Javier Téllez’s To Have Done with the Judgment of God

by Silvia Benedetti
Literature : Editor’s Choice

Fantasy Football Psychoanalysis

by Sina Najafi
Literature : First Proof

Zero (an excerpt)

by Azareen Van der Vliet Oloomi
Art : Interview

Amie Siegel

by Lynn Hershman Leeson
Film : Review

I Can No Longer Hear The Guitar

by Nicholas Elliott
Art : Artists on Artists

Nadja Bournonville

by Zoe Beloff
Art : Artists on Artists

Halsey Rodman

by Ulrike Müller
Art : Interview

Josiah McElheny

by Gregg Bordowitz
Literature : Interview

Simon Van Booy & Siri Hustvedt

Literature : Editor’s Choice

Frédrique Bergholtz and Iberia Pérez's (Mis)Reading Masquerades

by Christopher Stackhouse
Art : Interview

Joan Jonas

by Karin Schneider
Literature : First Proof

Excerpt from Netsuke: A Novel

by Rikki Ducornet
Art : Interview

The Primordial Cry: caraballo-farman

by Kristin Prevallet
Literature : Interview

Mary Gaitskill

by Matthew Sharpe
Critical Theory : Interview

Nichole Argo and Omar Amanat

Theater : Interview

Theresa Rebeck

by Evangeline Morphos
Art : Interview

Judith Linhares

by Madison Smartt Bell
Architecture : Interview

Jesús Tenreiro-Degwitz

by Carlos Brillembourg
Literature : Editor’s Choice

John Haskell's I am not Jackson Pollock

by Betsy Sussler
Art : Interview

Paul McCarthy

by Benjamin Weissman
Art : Artists on Artists

Lenore Malen

by Jonathan Ames
Literature : Editor’s Choice

Adam Phillips's Promises, Promises

by Fionn Meade
Film : Editor’s Choice

Slavoj Žižek's The Art of the Ridiculous Sublime: On David Lynch's Lost Highway

by Rachel Kushner
Literature : First Proof

Incidents of Travel in Riversford

by Thomas Bolt