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literature : review

"To Lie Is to Try": Two Books on Kathy Acker

by Mattilda Bernstein Sycamore
music : review

The Endorithm 3

by Keith Connolly
film : review

Portrait of the Artist as a Room

by Lynne Sachs
film : review

The Villain Is the 20th Century

by William Corwin
literature : interview

Danielle Dutton

by Kate Zambreno
theater : editor’s choice

Becca Blackwell's They, Themself and Schmerm

by Amber Power
literature : editor’s choice

I Love Taylor Mead and Gay Power: Taylor Mead Columns 1969–1970, Both Edited and Published by John Edward Heys

by Bob Holman
music : editor’s choice

Erik Satie's A Mammal's Notebook

by Anthony Huberman
Literature : Editor’s Choice

Chloé Griffin's Edgewise: A Picture of Cookie Mueller

by Pati Hertling
Literature : Interview

Valeria Luiselli

by Jennifer Kabat
Art : Portfolio


by David Horvitz
art : Paper Clip

Paper Clip #35

by Jacob Forrest Severn
Literature : Essay

Extremists: Daniil Kharms

by Chris Cumming
Literature : Editor’s Choice

April Bernard's Miss Fuller

by Mimi Thompson
Film : Editor’s Choice

Deleuze: From A to Z

by Rachel Kushner
Film : Editor’s Choice


by Chris Chang
Literature : review

Lives, Lace, Letters

by Richard J. Goldstein
Literature : Interview

Adina Hoffman

by Deborah Baker
Literature : Editor’s Choice

John Phillip Santos's The Farthest Home Is in an Empire of Fire: A Tejano Elegy

by Callie Enlow
Literature : Editor’s Choice

Justin Spring's Secret Historian: The Life and Times of Samuel Steward, Professor, Tattoo Artist, and Sexual Renegade

by Jason Baumann
Literature : Editor’s Choice

Phillip Lopate's Notes on Sontag

by Jonathan Lethem
Literature : Editor’s Choice

Laurie Sheck's A Monster’s Notes

by Kimiko Hahn
Literature : Editor’s Choice

Francine du Plessex Gray's Madame de Staël: The First Modern Woman

by Francine Prose
Literature : Editor’s Choice

Deborah Baker's A Blue Hand: The Beats in India

by Betsy Sussler
Film : Editor’s Choice

The Cats of Mirikitani

by Nell McClister