For Hoff, distribution networks serve as creative agents. Musician Eli Keszler queries the artist and publisher of Primary Information on paintings based on viruses and syndromes, and also on his pop-leaning sound works.
Rankine and Berlant parse the implications of having to maneuver everyday racism, as well as Rankine’s incisive choice of images for her new poetry book, Citizen: An American Lyric.
Art from Bushwick, Bed-Stuy, and Beyond
presents work by thirty-five Brooklyn-based
artists or collectives at the Brooklyn Museum
October 3, 2014–January 4, 2015
“The grass may be the center of the self. Not the body. Hex signs sometimes painted on barns to ward off evil spirits.”
A retrospective spanning thirty years of work.
20 September 2014–4 January 2015
Addison Gallery of American Art
Phillips Academy, Andover, Massachusetts